-by Megan Barford, Curator of Cartography at Royal Museums Greenwich and author of A is for Atlas: Wonders of Maps and Mapping.
As a map curator, I often get asked about my favourite map and it’s terribly difficult to choose. In the collection of Royal Museums Greenwich there are near-pristine sixteenth-century maps illuminated with gold and maps reduced to scraps through use at sea. There are maps that show the involvement of women in the book and print trades in eighteenth-century London, alongside maps that came out of trade union activity during the Second World War. Luckily, in my new book, A is for Atlas, I’ve been able to pick 104 favourites, organised according to alphabetical themes in a treasury of stories about map making and use, and about materials and techniques, from the thirteenth century to the present day. Here, D is for display, E is for Engraving, F is for Fake. Together the themes help us to interrogate maps and mapping in different ways, and understand the rich human stories that can be found throughout the collection of Royal Museums Greenwich.
Continue reading A is for Atlas by Megan Barford
