
Sitting astride the banks of the river Daugava, the city of Riga is one of mystery, beauty and contradiction. Latvia gained its independence from the last death throes of the Soviet Empire in 1991 and with this newfound freedom Riga has in recent years emerged as an increasingly popular destination. Spurred on by its inception to the EU and recent Eurovision ‘success’, Riga symbolises a Latvia intent on building a reputation as a vibrant, modern city open to the west once more.
Dubbed the ‘Paris of the north’, Riga is a hauntingly beautiful city. While the ghosts of Soviet and Nazi occupation still linger beneath the surface, there is a real sense of purpose and intent on building a new legacy for itself after the dark days of the 20th century. This is enforced through the keen contrast between old and new, best symbolised in the imposingly tall, modern, glass TV tower that blinks unflinchingly across the Daugava to Riga Castle and the heart of the old city; a bridge of time that most accurately defines the conundrum at the heart of Rigan life.
Staying outside the walls of the old city, a 15-minute walk from our hotel illustrates the steps the city has made since independence. Brand new boutiques, coffee shops and an intriguingly large number of hairdressers are housed within the newly restored facades of Soviet buildings. Meanwhile, faded blue, Sixties trams silently roam the streets like a team of ants, still the lifeblood of a city where nearly 70% of the inhabitants are Russian.
Riga’s spiritual centrepiece is her Freedom Monument, a 100-foot female figure holding aloft three gold stars, built to commemorate Latvian freedom in the early ’90s and still guarded by impressively attired ceremonial soldiers. The monument sits among carefully landscaped gardens, populated by traditional folk bands and chess grand masters, the area a legacy worthy of one of Europe’s first garden cities. These gardens, bisected by a seemingly deserted canal, act as a natural entry point into the carefully preserved old city, where Riga’s greatest treasures lie.
The old city itself is remarkably preserved considering its turbulent and violent history. Easily navigable by foot it lies a short distance from the river, where dramatic masses of ice glide ominously in from the Baltic, a reminder of the city’s bitter winters. Along the waterfront stands The ‘Latvian Riflemen’, a starkly bleak monument built to commemorate those fallen in war, which aptly stands guard outside one of Riga’s must-see sites, the Museum of Latvian Occupation. Housed in an unattractive, gleaming black building (deliberately to suit its purpose) the museum remembers the twentieth century occupations of the Soviets and Nazis. Shocking in its depiction of the Baltic countries’ struggle against various outside aggressors, it is equally revealing of Latvia’s determination to document her past struggles. Our young guide was unrelenting in our two hour tour; mindful of keeping their memories fresh but also in looking to the future.
Riga has one of the largest art nouveau heritages in Europe, comprising of a web of streets to the north of the old town, though still in easy walking distance. After dining on a lunch of caviar, kidneys in a pot and the obligatory vodka, we ventured into adjoining Art Nouveau maze of streets. The results were surprising. Doubting that a city ravaged by war could still boast any extensive architectural memory, the first street we ventured upon, Alberta Iela, had an unspoilt grand parade of buildings dating back to the 1900s, complete with ornate buttresses, gilded facades and seemingly all individually designed by Mikhail Eisenstein, father of the film director Sergei; famous for Battleship Potemkin.
These flamboyant architectural gestures somehow belie their modern purpose, providing social housing and shelter for the poorer elements of Rigan society. The grandiose nature of the entire Art Nouveau district appears temporarily forgotten by the majority of the city. However, its close proximity to the heart of Riga’s old city suggests that could soon be fully renovated to serve as expensive designer boutique hotels for Russian oligarchs and the increasing numbers travelling from Western Europe.
It was in our determination to sample the Latvian beverage of choice; Black Balsams, (a bitter mixture of roots, herbs, fruit), that we stumbled on a relic of Riga’s proud 17th century mercantile past. Located next to the Swedish Gate build by Gustavus Adolphus to commemorate the Swedish annexation of Latvia into its empire, Torna Iela exudes the spirit of medieval wealth that made Riga a valuable crossroads for the exchange of goods between Scandanavia and Russia. Although it is no longer used for its original purpose, the street’s original merchant housing and cobbled stones is particularly atmospheric; one almost expects to be accosted by a bearded Swede peddling his wares from across the Baltic. Apparently one restaurant is now a haunt of the American ambassador, though the most glamorous frequenters we saw were scowling Russian dignitaries clad in black guarding the oaken bar.
In our quest to sample the bitter ‘balsams’ we discovered an underground bar that attracted an increasingly Westernised yet staunchly patriotic younger crowd of Rigans. This included a spectacular drinking ‘fire show’, consisting of a fire extinguisher, fireman’s helmets and liquid flame powered by a Bunsen burner from behind the bar. Jaws agape, we watched as the barman poured liquid flame over the sides of a reveller’s helmet from on high, yet appearing not to scorch their ears to turn them into ash. I could imagine the ring of fire such an act would elicit in the Health and Safety bureau in England.
As with many of the eastern European capitals that have opened up for mass tourism, Riga now stands at a crossroads. Caught between the lure of the easy ‘Lats’ in the form of clubs and bars geared towards the stag night industry and preserving an old town peppered with beautiful churches and soaring architecture, the paradox is evident. A relatively small city, Riga currently balances the historical and the modern quite dramatically, but it is in its rich cultural traditions and hard won independence that its main attractions lie. A recent newcomer to the EU, only time will tell whether the capital city of this young independent nation will continue to bloom.
As we wended our reluctant way slowly back to our hotel on our last night, hundreds of Riot Police formed a human chain around the Freedom Monument. Cornered on one side of the heavy police presence, a group of late middle aged Russians chanted, their unfurled banners proclaiming that Riga says ‘No to Nazis’. As the light gradually dimmed, a torch bearing party numbering a thousand, young and old, carried extravagantly coloured flowers of red and white to the monument, celebrating the withdrawal of Soviet forces from Riga but also to commemorate the spirit of independence so long cherished by its people. Having carefully placed their flowers and flags on the monument’s steps, they joined together in a circle and in ghostly voices intoned their national anthem, ‘Dievs, Sveti Latviju’ in the gathering gloom.
The Bradt Travel Guide to Latvia is excellent for detail on the nation’s history and general information. For navigation, take the Jana Seta Street Plan of Riga.
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Author: Thom Wood