by Brian Finch
On the outskirts of the resort of Viareggio, on the Tuscan coast of Italy, is Torre del Lago. Literally this is the tower on the lake but unless this refers to the little summerhouse construction in the shallows of the lake, the original tower must have gone long ago. The little town, and lake Massaciucoli itself, is famous as the home of the great composer Puccini and host to a marvellous opera festival each summer. The approach is up a long and unprepossessing, though tree lined, street before, all of a sudden, the road opens up to a piazzale, an open space on the edge of a big lake, and beyond the water lie steeply rising mountains. Just as you emerge into the open there is Puccini’s house, now a museum, on the right and a huge open air theatre on the left. You are drawn down to the waterfront to admire the view before picking one of the restaurants that line the street facing the lake for a pre-opera dinner.
Perhaps, if you are in-the-know you will have booked the Chalet Emilio, which is the only restaurant that is directly on the waterfront. Whilst there places to eat further into the little town that are more renowned for the excellence of their food the location here, overlooking the lake, is unbeatable. One year it provided us with the extraordinary view of aeroplanes dipping into the lake to scoop up water to drop on a forest fire in the hills behind but usually it is just calm and peaceful. This is despite those hills being slashed by the elegant white arched bridge of the autostrada to Florence: it is far enough away to be silent and the vehicles crossing it provide a slight sense of movement rather than disturbance. For a number of years the restaurant was closed, apparently due to an inheritance dispute, and we defected to Da Cecco, across the way, which is good, but contrasts with the calm of Emilio by being busy and boisterous.
After dinner comes a stroll around the piazzale, a look at the little boats moored there, perhaps an inspection of the artworks on display. For years there were towers of ceramic blocks on the green, the work of a local artist whose ceramics I first saw in a gallery along the coast and from whom we bought a number of pieces for our lounge wall. We encased them in plenty of bubble wrap and took them home as hand luggage. I am not sure the budget airlines would let us do that today. As the light fades you stroll to the theatre, passing over a small bridge and causeway across a small yacht basin and a stream that flows into the lake. I remember a night when the opera was Madam Butterfly and the bridge was lined with Japanese lanterns. It is dusk as you join the crowds to enter, summer performances in Italy typically start around nine at night, but dark when you leave, so pause for a moment to enjoy the lights of the villages across the lake.
Inside the amphitheatre it is typically Italian: noise, bustle, apparent confusion and argument but that is just how they talk here, they are just being emphatic and expansive. There are also tourists from all around the coast. The opera itself is never less than marvellous albeit I am not a big fan of the acoustics here. One year I was sufficiently disappointed by the sound being carried away by the breeze to overcome my British reserve and move forward into better seats at the interval. Although not in the very front rank of Italian opera houses this is still a pretty big deal and attracts rising stars. And the atmosphere on a sultry summer’s evening seems somehow fitting to the opera. Sitting there and seeing the full moon rise above the stage is an added extra. In the interval the bar staff seem to know half the crowd pushing for service and waving for attention and if they don’t know you service can be slow. Of course there are no queues, just a crowd. Are the customers neighbours or just regular attendees, have the bar staff been paid in advance to provide quick service? Who knows, this is Italy and there is always some mystery about how things really work.
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